This story about music distribution over MIT’s cable system has been getting a lot of link traffic from weblogs I read.

Honestly I don’t understand what problem it solves. I watched a demonstration of the idea last Thursday in an MIT classroom. Having presented an MIT credential through his Web browser, the user queued up a CD and received the message “Your selection is now playing on Channel 64”. The problem was, we were nowhere near a television set.
Zittrain is quoted in the NYT article, describing the work as “almost an act of performance art”. I agree with the spirit of that comment. The project looks to me like a legal hack more than anything else.
A neat trick, perhaps, but it fails to address the root problem, which is a persistent, and I believe, wrong, conviction that art and commerce can only flourish under increasingly stringent control.
Others are attacking the problem head-on in a variety of creative ways.
Consider that some of the people involved were also involved in previous entertainment-distribution-related performance art – namely, DeCSS (in particular, the perl one-liner version.) I think the performance art aspect is about right…
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